It’s been a year since BoJack left his Hollywoo life behind and, subsequently, left us to wonder how the show would follow the genius of season three, which pushed our favorite antihero to a new devastating brink with his costar’s overdose. But season four does the seemingly impossible – by intertwining the past with present, BoJack Horseman produces its most searing season to date.
When we last saw BoJack, he was fleeing Hollywoo in search of…something. Happiness. Acceptance. The ability to feel good about himself, perhaps. His search leads him to The Old Sugarman Place, which belonged to his grandfather and where he and his mother both spent their childhood summers. He fixes up the rundown house as flashbacks of a particularly life-changing summer during his mother’s childhood play, often interweaved with the present day as ghostly images. This is the first demonstration of this season’s peculiar relationship with time – the season covers the longest time span of any other, leaving each character drastically changed by its end.
BoJack meets Hollyhock, a teenage girl who pulls him back to reality and out of his self-deprecating cycle of needing help, looking for help and rejecting help. He’s still haunted by his part in Sarah Lynn’s death and the harm he caused Penny and Charlotte, but Hollyhock gives him a reason to be responsible, to be present, to simply be. It’s not the first time BoJack has shown promise, but it is the most hopeful I’ve been that he will, somehow, eventually, one day get better.
And since BoJack Horseman isn’t just about the titular horse, each member of the gang goes through their own hardships. Season four picks up in the midst of Mr. Peanutbutter’s campaign for governor, which puts a strain on his marriage to a less-than-thrilled Diane. Todd is coming to terms with his sexual identity and meets with other asexuals. Princess Carolyn is still trying to have it all – career, relationship, family. BoJack’s mother Beatrice, a scathing secondary character despised by fans since season one, is the most present (er, physically, at least) she has ever been, much to his chagrin.
It is Beatrice, of all people, who is the most devastating character of the new season. Through the show’s manipulation of time, we learn how she became so coldhearted and cruel toward BoJack. Episode 11, “Time’s Arrow,” is dedicated solely to Beatrice as we jump between scenes of her childhood, adolescence and marriage to BoJack’s father Butterscotch and is one of the most poignant episodes of the series – I’d equate it to season one’s “Downer Ending.”
But in true BoJack fashion, there is still the “loosely related wacky misadventures.” In episode seven, “The Underground”, the main characters (plus Jessica Biel) become trapped underground for days after a fracking accident and must build a new society in order to govern and survive their underground world. It’s reminiscent of season three’s “Brrap Brrap Pew Pew” (a personal favorite of mine) and season two’s “Chickens.” Todd is still finding new ventures to pursue, this time in a terrifying dentist/clown mash-up business that goes terribly awry.
In season four, BoJack Horseman challenged itself. Its ambition and gusto have solidified it as one of the best seasons of 2017 TV and leaves us all waiting impatiently for season five – when this damn horse cartoon will make us cry yet again.